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There aren't any motion interlace lines there, but this is a frame where there was a short flash, thus there's a difference from one field to the other.
To make things even more complicated, some digital camcorders have something you could call "color interlacing".
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A great part of this site deals with interlacing/deinterlacing which introduces some of the nastiest interlacing problems like these: Do you think you record 25 frames per second when you make a movie with your digital camcorder? Your digital camcorder does the following: Records 50 pictures per second, intermixing every 2 consecutive pictures (with half the height) into 1 frame. Now these two fields are mixed (=interlaced) into Frame1 (full height): What you see above is an exact frame as on tape of your camcorder.
Here is a zoomed view of the above Frame 1: As you can clearly see above, Frame1 consists of Field1 and Field2.
The way it looks is called saw tooth type edge distortion = mice teeth = combing = serrations = interlaced lines. This is a capture directly from MTV's Digital Video Broadcasting: The above scene consists of 2 totally different scenes because this is the frame where there's a change from scene1 to scene2.
If you watched a football game with 25 progressive fps it would look as if the ball isn't flying fluidly thru the air.
With 50 fields per second which are then combined to 25 frames per second this looks much better. Because so far there wasn't a technology available that could record so fast or display so fast (= camcorders recording to slowly and TV sets displaying too slowly).
Both field1 and field2 combined together give you the full vertical (top to bottom) resolution.